lunes, 23 de marzo de 2015

Artículo de prensa The New Indian Express, India





Monica chanced upon Bharatanatyam when she saw a performance by Alarmel Valli at the Khajuraho Dance Festival. | Express Photo by BP Deepu

Twenty years ago, when Monica de la Fuente first came to India, she did not have any inkling about the country or its ethos. Today, as one of the founders of an Indian cultural centre in Spain, with an impressive repertoire as an Indian classical danseuse, Monica is a name that resonates on the international dance scene.
Her dance school, ‘Kalasangam’ in Spain is one of the first Indian institutes in Spain which is recognised by the government. Monica teaches Bharatanatyam, Kathakali and Flamenco to Indian and Spanish children. “My dance school does not specifically teach one form,” says Monica. “One day I might teach them the basics of Bharatanatyam and on another, the nuances of Flamenco. There are many adopted Indian children in Spain and I have around eight who want to learn about their culture and tradition.” Once she finds them adept in whatever she teaches, she urges them to go to India and learn more.
The 39-year-old danseuse chanced upon Bharatanatyam when she saw a performance by Alarmel Valli at the Khajuraho Dance Festival in 1994, while she was on a summer vacation with her boyfriend, later husband Guillermo Rodriguez Martin. A theatre aficionado, Monica got hooked on to Bharatanatyam, where unlike similar dance forms around the world, the expressions are as important as the steps.

“Alarmel directed me to Kalakshethra at Chennai where I learnt the basics of Bharatanatyam from Meena Raman,” says Monica. “I called up my mother and told her that I was joining Kalakshethra and will not be coming back anytime soon.” In the end, she stayed four years. Later, Monica discovered Kathakali in one of her travels around South India. Her decision to learn Kathakali, a much more expression-oriented art form, was impulsive. She not only gained a scholarship from Spain but also from the Indian government to pursue her love for the dance form.
“But there were many who felt that I should stick to Bharatanatyam and learn it thoroughly, but I felt it is necessary to learn Kathakali as it is an art form that gives expressions its due,” says Monica, who came to Thiruvananthapuram recently and joined the Margi Kathakali Centre to expand her knowledge.
Meanwhile, Monica’s husband, Guillermo, who has done his Phd from Kerala University, founded an Indian Council for Cultural Relations centre in Valladolid, Spain, Casa de la India in 2003. Since then, Monica is in charge of the performing arts of the centre and has been conducting various festivals. At one such festival, she met Carnatic fusion singer Ravi Prasad, who hails from Kerala, but is settled in Toulouse, France, for the past 30 years. They found a method to incorporate flamenco and Carnatic art-forms and give breathtaking fusion performances.
“Ravi Prasad has experience in singing Flamenco music,” says Monica. “I invited him to do a play based on the Ramayana. He provided the music for that. We performed at the Thrissur School of Drama. Later, he would sing Spanish Flamenco music to which I did Indian-style dancing. The performances were more out of impulse than practice. Ravi has an amazing base in music so he can adapt to any style. We have been performing together for the last 10 years.”

Fotos "Rasa-duende" Casa India en Valladolid

 "RASA-DUENDE" Arquitectura del Cante Jondo, Lorca




martes, 10 de marzo de 2015

Fotos de "Rasa duende" en Casa de la India






Actuación de "Rasa-duende" en Casa de la India

Presentación del espectáculo "Rasa-duende, arquitectura del Cante Jondo, Lorca" en Casa de la India, Valladolid. Un espacio poético donde el mundo lorquiano disecciona la experiencia del cante y la convierte en imagen, sonido y movimiento... "donde los rostros se transfiguran, los cuerpos alcanzan lugares insospechados y los ritmos se interiorizan hasta el trance..."
José Salinas: cante, percusión y espacios sonoros
Carlos Blanco: guitarra clásica, flamenca y eléctrica
Mónica de la Fuente: danza, coreografía y puesta en escena



Lugar: Casa de la India, Valladolid
Fecha: 27 de febrero de 2015
Hora: 20:30 y 22.00h
Información: www.casadelaindia.org


martes, 27 de enero de 2015

"Rasa-duende" creación en música y danza en el Jaipur Literature Festival de Jaipur, India

"Rasa-duende", una creación en música y danza inspirada en los Poemas del Cante Jondo de Federico García Lorca realizada en el Hawa Mahal (Palacio de los Vientos) de Jaipur como parte de uno de los más importantes festivales de Literatura del mundo, The Jaipur Literature Festival 2015.
Con la colaboración de Acción Cultural Española ACE mediante la ayuda de movilidad a artistas españoles.

Lugar: Hawa Mahal, Jaipur, India
Fecha: 22 de enero de 2015
Hora: 18:30h
información del espectáculo en el Festival
información del espectáculo en el festival critica
información del espectáculo en festival critica2
información del espectáculo en ACE
prensa internacional
























Artistas:
José Salinas (cante, percusiones y espacios sonoros)
Carlos Blanco (guitarra flamenca, clásica y eléctrica)
Monica de la Fuente (danza, coreografía y recitación)

Heritage Evening: Reading by Shabana Azmi and Flamenco by Rasa-Duende

By Kanupriya Dhingra
The Palace of Winds, Hawa Mahal, turned into an enchanted space on the second evening of ZEE Jaipur Literature Festival. The Heritage Evenings are a new festival initiative this year, and aim to restore and recreate the value of culture and architecture of Rajasthan.
With the Palace so colorfully lit, the spectators took flight into fantasy and delight, as renowned actress Shabana Azmi recited the timeless Urdu and Hindi poetry of Kaifi Azmi, Javed Akhtar and Janisar Akhtar. This breathtaking session, presented by Rajasthan Tourism, also included a thrilling flamenco performance by Rasa-Duende of Spain.
Introduced by Festival Producer Sanjoy Roy, the session began with Shabana Azmi’s narration of the poetry of her own father, husband and father-in-law in front of an anticipating and eager audience. ‘Nepotism is alright, but they’re all good poets!’ exclaimed the actress.
Azmi said that she is often asked if she writes poetry, as an effect of her inheritance and the company she keeps, to which her usual reply is that she ‘provides the inspiration.’ She revealed to the audience how unromantic her poet-husband Javed Akhtar was in their routine life, joking that ‘he doesn’t have a romantic bone in his body!’ The eminent lyricist challenged this claim, on the request of his wife, by reciting two of his celebrated poems in Hindi, and transported the audience into blissful reverie.
Rasa-Duende presented a fabulous display of Flamenco, with a combination of rousing music, dazzling choreographic dance-theatre and Spanish poetry inspired by the poems of Lorca. Jose Salinas’s powerful voice and percussion, beautiful Monica de le Fuente’s charismatic dance and recitation, and Carlos Blanco’s Flamenco Guitar blended into one amazing performance. The audience could also identify echoes of Indian classical dance and music in their performance, which heightened their interest and involvement.
The music, dance, lyricism and the personalities who so eloquently delivered their performances, made for a mesmerizing evening against the splendid backdrop of Hawa Mahal.